In "Theory of Light," the self is not caught but scattered. It is pulled apart frame by frame until identity becomes a rhythm rather than a fixed point. The piece borrows its logic from light itself: sometimes a wave, sometimes a particle, always dependent on the act of looking. So too with the self: never quite whole, never quite still, remade each time it's seen.
Method: Self-portrait photograph remixed with a custom-built glitch app.
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