The final piece of Chapter 1, Lux No. 7 circles back to the beginning.
Like Lux No. 1, it rests on the simplest of ratios: 1:1. As a harmonic interval, this ratio represents the octave. A return to the original note, but a different frequency.
But nothing repeats perfectly. A slight offset in the period ratio bends the path, folding the figure back on itself. What should be a circle becomes the illusion of a ribbon-like fabric, light weaving over light, balance held just off-center.
The palette hums in three dominant voices: violet, cyan, and gold. Together they refract into a spectrum, a reminder that no color, like no system, stands alone.
Across seven works, Lux has traced the hidden harmonies of the Blackburn pendulum. From tension to release, from imbalance to resolution, each piece marked a different mode of gravity made visible. Lux No. 7 brings it full cycle.
Lux ends where it began, not as an ultimate conclusion, but as the foundation for what comes next.
.jpeg?ixlib=js-3.8.0&auto=format&quality=50&dpr=2&fit=max&cs=origin&s=34876fee6fd1f0436e9e2dea9f37d90e)
