My Compucter is a series about ordinary places where something quietly crashes. A blue screen takes the shape of a person. Old Windows dialogs appear in an office, a restroom, a subway platform, on a highway at night. The system fails, the world keeps going.
This piece is about loving someone who can't meet you, and the empty shape that stays behind. Part of my overpaint series. I generate a foundation image in Midjourney (v8.2 here), then digitally paint over it on my phone with my finger.
1111 abstract artworks hand-drawn in Microsoft Word and animated in GIMP. Each artwork makes tension visible through movement. The compositions are inspired by Uli art form of the Igbo people of Nigeria.
THE LAST BATTLE is a collection of twelve works reimagining the twelve labours through contemporary pop culture. Ancient vase painting meets childhood nostalgia, gilded meme culture, and theatrical excess. Familiar characters inherit the roles of heroes and monsters, turning epic battles into absurd
From the mind. Through the fire.
All my works are hand-drawn created using SketchBook Pro on iPad.
3x 1/1 hand-drawn artworks embracing inner demons. each work embodies an immaterial force with acrylic ink on cold-pressed cards, digitized and glitched subtle like the sweet nothings entertained by the unconscious.
A collection of found memories. Photographs lost among public archives, taken in other places and at other times, that once belonged to someone’s everyday life.
Unfinished Past is a series of participatory time-based AI-generated artworks about how we as humans relate to our memories, and how that relationship changes as time passes.
The scales balance; the final gate opens. Part 4 of a 1/1 cascade sequence. Death manifests with steel gothic hands and a white cut rose fading in entropy, locking the architecture of Episode II into an irreversible oblivion. Drops in 3 days. Pure fine-art photography. Details on X.
A computer programme of Paris, encoded from the future by the Porcelain Androids. Three AI short films with soundtrack. Rococo mirrors open onto neon. A tram crosses a wet street at dusk. A dove leaves a man’s shoulder and does not come back...
64 looping GIFs derived from blends of early computing imagery: terminal screens, graphical interfaces, calculator displays, vacuum tubes, punch cards, and other remnants of analog and digital computation 🖤
For the anniversary of the sale of Edmond de Belamy, we are presenting three artworks created in 2019 using Generative Adversarial Networks on a database of still nature paintings. The artworks are meant as an ode to early AI generative aestetics.
This collection is inspired by the little things around us that we sometimes forget to appreciate. From the fish in the water to the fruits, flowers, and quiet moments spent around a table, each piece tells its own story. Life doesn't always have to be extraordinary for it to be beautiful.
