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No Paradigms interviewed by zonted 🖼. This post first appeared on http://zonted.com/artist.
No Paradigms’ 3D models are creepy and adorable at the same time. Following almost no patterns, we see No Paradigms’ art constantly evolving and are always excited to see what they sculpt next.zonted
The beauty of No Paradigms is their incessant work ethic on improving their ‘craft’ with a “do whatever it takes” attitude. No Paradigms sculpts whatever excites them most… and we often see them working into the wee hours of the night as a result of the rush of creating something thrilling.
🖼 view No Paradigms’ art in the zonted genesis exhibition: https://www.cryptovoxels.com/play?coords=N@314E,583N,5U
I found out about crypto art from FEWOCiOUS, they were just starting with crypto and tweeted about it and I looked up what NFT meant. After doing light research I knew I had to get on it—I made 3D art so it was a perfect match!
I applied to SuperRare and waited, and waited, and waited some more, but sadly I never got a reply. Finally after 5 weeks(!) of waiting I finally got accepted to SuperRare.
My advice for anyone trying to get into SuperRare would be to try and collaborate with artists that are already on the platform—that worked for me. I assume SuperRare gets bombarded with artist submissions so artists should definitely try to find another way to get their attention.
I was very inexperienced in the whole 3D art space. My renders were super basic with only spheres or cubes in the composition, but I knew that 3D art was/is the future or at least MY future.
I worked on my skills by practicing every day and watching countless of tutorials on 3D sculpting and Blender.
I was very fortunate because even when my art was just taking off I had a few commissions coming in every week—maybe $100 a week from constant commission work, that allowed me to not take a part time job and instead I worked harder on my 3D skills.
To all struggling artists big or small:
If you give up now it's over.
If you continue improving, evolving and adapting you will be rewarded in the long run.
You might not be on the top platforms, YET. You might not get the bids you deserve. Work for it.— Giannis Sourdis (🦉,🦉) (@Greekdx) November 19, 2020
And that self-doubt still lingers to this day, I feel like that just comes with the “job” but it should push artists to get better and learn more about whatever it is they are doing.
I think a lot of the time I enjoy the challenge of making something look how I imagined it looking in my head. Or for example when I try to recreate a known character, I love the feeling of making it look how it should but also giving it my own twist.
A lot of my workflow revolves around trying to solve a problem, like a puzzle, maybe the answer is making the eyes of the character bigger or maybe if it made them smaller that would solve the puzzle.
“Just Look At The Balloon” (work in progress.) pic.twitter.com/SohS3JRBiL— No Paradigms 🧸 (@No_paradigms) November 19, 2020
Also music, movies, and old cartoons all inspire me. A lot of Kanye’s older music as well as his amazing cover art and album roll outs are very important to me.
Donnie Darko is one of my favorite movies and its vibe just inspires my work. And as far as cartoons anything and everything cartoon network from the early 2000’s
I would say it’s a mix of clay sculptures with a little bit of a creepy vibe. I enjoy making disturbing characters that leave you just a little disturbed, not too much just enough.
I feel like that’s how it started and as I evolved I kind of moved past it for a brief moment, but I do enjoy the creepy style on some renders. Maybe I do it because it’s an easy emotion to make people feel.
One of my biggest inspirations is KAWS. He has a character known as “KAWS Companion”. Like my Bearz, the KAWS companion took inspiration from a known character and added their twist. KAWS took inspiration from Mickey Mouse and I simply took my inspiration from the classic teddy bear.
My first Bearz NFT on SuperRare with a physical piece included 😉
The plush toys are for sure the best sellers which sell out in minutes. The fastest to ever sell out was the lilac Bearz which sold out in 4 minutes!
I would love to constantly be pushing the Bearz but I love to make it a rare sight to see a Bearz art piece because if I use my character you know the piece has a deeper meaning. (https://noparadigms.com/collections/all)
Scarcity is definitely key. I feel that if it produced more Bearz than I currently do and they didn’t sell out as fast people wouldn’t feel as invested in them as they do right now. That same ideology goes hand in hand with the NFT market. People feel special when they own something that’s hard to get regardless of price.

Now that crypto art is a thing and I can take more time to work on personal pieces I’m so excited to work on some Bearz collections, with actual vinyl toys!
I really hope that I can host an art gallery with all my 3d sculptures brought to life—just huge No Paradigms pieces of 6 feet tall Bearz and crazy stuff like that.
Definitely! Shout out to FEWOCiOUS for getting me interested in crypto art!
Also Steez! Our collab was my first piece on SuperRare and right after that dropped I got accepted so I’m sure that had something to do with that!
*SuperRare Note: not necessarily. Sometimes you just need to be patient! 🙂
And just everyone that enjoys my work! THANKS!
The first ever (“genesis”) digital art exhibition by zonted art gallery. The exhibition features sculptures, installations, videos, and digital creations by a wide array of notable international artists that are on the forefront of digital art.
Visit the exhibition here: https://www.cryptovoxels.com/parcels/3734