"Nature is the biggest artist. I was always fascinated or I'm still fascinated by, landscapes, nature. Everything is emotionally connected somehow. My father passed away when I was 18, so I was quite young, but I always had these memories with my father. He was always like a travel nerd, and I have these memories with him, and they are deeply inside myself and associated with him. I think that's a that's a great thing, that keeps me associated with landscape or nature in general."
"I want to evoke that people kind of emotionally are getting torn into the artworks, or feel a simple house isn't a simple house or a mansion or whatever. It's a part of the landscape. It's a part of a history. It's part of emotions. It's pretty much more than just a simple construction."
"When I went to Palm Springs, it was 43°C out there, and you were just like standing in front of the building. And it gave me kind of a cool touch. And it had such a vibe, you know, like it almost brought the temperature down in myself because, like, you have this aluminum glass, kind of cold materials. So for me, that was like a kick off. Can I transport that feeling? Can I bring people to feel alike? Can I dig deeper into architecture and emotional ties?"
"For me, it was always a dream to bring my complex AI artworks on an actual physical artwork. I love embroideries, so it was a totally new process for me because I had to create a sewing plan. Coming up with that sewing plan means converting your digital artwork into a physical artwork. And for me, it was just crazy good to close the circle, starting with AI ,with the brand new technology, and then at closing it with an old craftsmanship and then letting these two mediums work together was just like a dream for me."
"I've been struggling the most getting the essence down to 128 artworks, to be honest. That was like the hardest battle that I had to fight."
"We are living in such a fast pace in this world right now. Just a few people take time to lose themself in the artworks. And I wanted to add something: a layer, a structure. These kind of topography or this depth that my art delivers, it gives you the space to dig deep, to get lost in something, because it's like more of a geometry when you look into the artwork and then it's like, ‘Wow, what is that?’”
