In ~gleam~ layered gestures and distortions shift upon a colorfield in an infinite loop. Forms and colors are derived by physically manipulating holographic, or light refracting material, over a scanner. In consideration of historic color field painting, gestural application and consideration of surface through light and pixels as fluid mediums.
Layers of gestures and material transformations are compounded into an aqueous all-over composition. Emphasis on sensation and perception are evident in the personal painterly language that expands throughout my practice. I explore making overlooked transitory or peripheral moments, in hopes to make the invisible- visible.
