During the first half of the 1940s, rubber production was predominantly dedicated to the war effort, restricting the availability of latex fashion. However, post World War II, the restrictions on rubber and latex were lifted, leading to an increase in demand for latex apparel. With rising disposable income, it gradually became a status symbol that people sought to achieve. Those who could afford it wore latex as much as possible, and the heightened rubber production from the war met this demand.
In the 1950s, latex appeal became an overwhelming fashion trend as Hollywood stars embraced it to achieve some level of anonymity in public and to flaunt their style. Soon, people from all walks of life started adopting it as a way to show their status, fashion sense, and personality. However, it also led to an increase in pseudonymity, with people feeling more liberated to be in public while escaping constant scrutiny.
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This series is foundational in my exploration of masks as a form of self expression with the obvious tension that they also hold back part of traditional identity. This alternative history explores the idea of how a sustained fashion movement, that encompasses this concept of identity, could be born out of the choices of a handful of people and the subsequent amplification that existed in the 1940s semi-monopolistic press and film era.
Midjourney v5.2 with digital edits