CYRA
How is blue a comfort, she asked in earnest. It’s not, they replied in unison, unless it’s electric.
Baker Cahill’s Slipstream series traffics in the eponymous fiction genre's "familiar strange/strange familiar.” Using the tools of digital simulation, Baker Cahill subjects her graphite drawings to a long odyssey of mutation and transformation to explore the epistemological process of truth making (and destroying). Inspired by pre-cinematic cave painting, drawing, and entangled human and botanical life, these digital animations grapples with the core question of the Ship of Theseus; what, after version upon version, remains of the original?
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