In his 11th tokenised work, Adam further explores the space between 'hand made' and 'digital' art using the Japanese concept of Wabi-sabi. Simply put, it states that nothing is finished, nothing is perfect and nothing is permanent.
Here, a study of a rainforest, painted in acrylic on paper, stretched on board, is then digitised and reworked, layer upon layer, to mimic the complex and seemingly chaotic world of the rainforest. But neither the 'hand made' or 'digital' works are complete. The study and the final digital work have been destroyed, leaving only this 'unfinished' piece - a ghost of a journey, an incomplete glimpse.
