Harman tips hat to influences such as old NYC footage, talking heads and the 1980’s all whilst expressing his skills as a master of oil paint into portraits and figures which are juxtaposed against urban backgrounds. Smooth digital glazes of paint merge into thick impasto brush marks which hint at tranquility but this is soon disrupted by the sense of some feverish narrative taking place beyond the edges of the painting. Harman leaves us with the impression of some kind of urban timeline, with figures and motifs interwoven; both connected and disconnected. He turns us all into true voyeurs - only wanting to see more
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