A body suspended inside a collapsing system of measurement. The grid, usually associated with order and control, fails to hold the figure. The body slips, duplicates, and fractures into multiple states at once.
The composition is built on tension between precision and instability. Colored points behave like noise or data that no longer resolves into meaning. Lines lose their function, and space begins to feel fluid, almost like a dissolving horizon.
The multiplicity of the body reads as a temporal shift. This is not a single position, but several phases of movement layered together. The figure is both contained and escaping at the same time.
This is not a work about falling. It is about losing reference. About the moment when a system stops describing reality, and the body moves beyond it.
The grid is no longer a tool of orientation. It becomes a field of error.
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