AI Cinema, 2026
Custom-trained model
German–French club composition
Porcelain Android explores the tension between fragility and endurance in the post-human condition.
The film centres on a series of synthetic female figures constructed from porcelain textures, ceramic gloss, and self-aware machine vision. She exists in a liminal zone between beach, nightclub, and signal space. A body that appears delicate yet refuses disappearance.
The bilingual lyrics function as a coded transmission. German and French echo across the track like parallel operating systems, reinforcing themes of replication, translation, and persistent presence.
“We are made of porcelain. We are still here.”
The work interrogates the myth of artificial fragility. Porcelain suggests breakability, but also preservation. It is a material that survives centuries intact. The android in this film embodies that contradiction: aesthetically fragile, structurally immortal.
The repeated phrase “after the signal” implies an unseen event. A broadcast. A systemic shift. The film does not depict collapse. Instead, it stages aftermath. The screens sleep. The light remains on.
In this universe, the feminine machine does not malfunction. She persists.
Porcelain Android continues Miss AL Simpson’s authored AI Cinema practice, in which custom-trained visual systems are directed within a cinematic framework, merging analogue ink memory with machine-led texture generation. The result is neither purely synthetic nor purely human, but something colder, cleaner, and quietly sovereign.
Encore là. Noch hier.
Still here.
