V — The Hierophant (Le Pape)

An austere, long-haired and heavily bearded man sits frontally on a raised throne between two tall golden pillars. His face is pale and severe, eyes fixed forward with quiet authority. He wears an ornate triple papal tiara crowned by a small cross and a sumptuous blue robe densely embroidered with gold, partially covered by a heavy red mantle lined with the same golden patterns. His right hand is raised in the traditional two-finger blessing; his left hand grips a tall, elaborate golden staff topped with a triple cross. At his feet, on the stone steps, two figures kneel in contrasting attitudes: on the left, a younger man in a rich red robe looks upward in open, almost hungry receptivity; on the right, a figure completely veiled in black bows its head in deep, shadowed submission. Two large golden keys lie crossed on the steps between them. The entire scene is framed by intricate golden architecture against a deep blue background filled with sacred geometric patterns, creating the atmosphere of a living icon of transmission — hierarchical, initiatory, and heavy with unspoken power.