Happy Meal transforms one of consumer culture’s most recognisable symbols of childhood reward into an object associated with immediate danger.
The familiar colours and promise of happiness remain untouched, while the disposable cup quietly assumes the mechanics of a grenade. The collision is deliberately simple: pleasure and consequence occupying the same object.
By borrowing the visual language used to sell convenience, treats and childhood excitement, the work questions how easily harmful habits can be normalised when they arrive wrapped in familiarity. The danger is no longer hidden behind the packaging, it has become part of it.
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