Divinatio emerges as an exploration of emotional faith—one that does not rely on proof, yet is deeply felt; a visceral certainty born from a profound connection with an experience, a person, or a symbol. It is faith rooted in what moves us, in what resonates with our most intimate essence. It is not an imposed belief but a bond woven through sensitivity, an intuitive act of surrender to the spirit. The piece captures this emotion through the fusion of the material and the ethereal, portraying spirituality as an inner vibration that transcends the body and time. Divinatio goes beyond static imagery, transforming into a flow of perceptions, reflecting the way emotional faith builds and intensifies with every heartbeat.
The visual structures of the piece translate this faith through the interplay of sculpture and light, in a dance of appearances and disappearances that evoke the mystery of the sacred. The central figure fragments and recomposes in a cycle of revelation, as if faith itself were in a constant process of rediscovery. Each vibration shapes its silhouette, either dissolving or solidifying it depending on the intensity of the experience. Around it, flashes of light cut through the scene, creating a language of ephemeral symbols that emerge and vanish into space. The work does not impose a singular meaning but instead allows each viewer to project their own connection to the divine, guided by the emotion of the moment.
Divinatio reinterprets sacred iconography from a sensory perspective, where faith manifests not as a rigid doctrine but as a living experience. Light, as a metaphor for intuition, becomes the third fundamental element—unpredictable, fluctuating, yet ever-present. Its movement is influenced by sound, mirroring the ever-changing nature of emotional faith, which grows, fades, and reinvents itself throughout life.
Divinatio invites the viewer to experience faith as an emotional pulse—a certainty that is not argued but felt. Through the integration of generative systems reactive to sound and dynamic visual structures, the piece transforms into a living organism, revealing the way emotional faith emerges—not as an immutable dogma, but as a state of communion with what touches the soul, what calls to us, what makes us believe.
