PETIT MORT
"Inevitably she thought of Liquid Sky, without the fluorescent face paint. Ascending shudders, veins engorged, peak life, small death."
Baker Cahill’s Slipstream series traffics in the eponymous fiction genre's "familiar strange/strange familiar.” Using the tools of digital simulation, Baker Cahill subjects her graphite drawings to a long odyssey of mutation and transformation to explore the epistemological process of truth making (and destroying). Inspired by pre-cinematic cave painting, drawing, and entangled human and botanical life, these digital animations grapples with the core question of the Ship of Theseus; what, after version upon version, remains of the original?
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