LASCAUX
"They were sober, and he proposed a staring contest by candlelight. His eyes locked on hers, and without blinking, she watched his face melt and contract until it was unrecognizable."
Baker Cahill’s Slipstream series traffics in the eponymous fiction genre's "familiar strange/strange familiar.” Using the tools of digital simulation, Baker Cahill subjects her graphite drawings to a long odyssey of mutation and transformation to explore the epistemological process of truth making (and destroying). Inspired by pre-cinematic cave painting, drawing, and entangled human and botanical life, these digital animations grapples with the core question of the Ship of Theseus; what, after version upon version, remains of the original?
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