This GLB Sculpture was created with an Oculus headseat on Medium and also reworked with Blender. It works as an extension of the oil painting.
The first collector will receive the physical oil painting, and this GLB in order connect this extension with the physical painting.
This work was created as part of Infinite Garden Art residency and reimagines art history through a feminist lens using handcrafted digital processes without AI. I reconstruct visual motifs from periods when women were excluded from formal art training, layering analog and digital media to reclaim authorship and rewrite cultural memory.
In a time of visual saturation and instant image consumption, I adopt a deliberately slow, almost archaeological method. Each element is built by hand, stroke by stroke to expose the latent symbolism buried in familiar forms. This process challenges the authority of canonical narratives, exploring how meaning evolves as images migrate across time, media, and collective memory.
Rather than using technology as spectacle, I treat it as a painterly extension: digital volumes and textures stand in for oil and glaze, creating a hybrid space where tradition meets technology.
The result is a dense, symbolic ecosystem where past and present collapse and recombine.
This ethos resonates with Ethereum’s Infinite Garden vision: a decentralized, regenerative cultural space where ideas grow organically, nurtured through care, iteration, and diversity.
My practice mirrors that spirit cultivating open, evolving visual languages rooted in memory, resistance, and the transformative potential of reimagination.
