Blick vom Berliner Funkturm im Winter (View from the Berlin Radio Tower in Winter)

Bauhaus Photography. Moholy-Nagy took a series of photographs of the Berlin Radio Tower, a 450-foot-tall structure completed in 1926; employing aerial perspective, the series exemplifies the artist's belief that photography's primary function was to allow the viewer to engage with reality in previously impossible ways: allowing new levels of detail, new kinds of focus and coloring, perspective and scope. His ideas were expressed in an influential photography book published in 1927 suitably titled Neue Sehen ("New Vision") which, as Lynne Warren notes, explores "the perspectives offered by the modern city - its high-rises and dramatic scales, its geometries of contrast, its industrial patterns and texts." The legacy of Hungarian artist Laszlo Moholy-Nagy is among the most cherished in the lineage of photographic art, and he can be defined as a visionary whose radical experiments with photography entirely re-imagined the possibilities for the medium. Working in the early 20th century when photography was not considered a form of high art, Moholy-Nagy actively sought to break down boundaries and find new languages of photographic discourse. In doing so, he left behind an oeuvre of visual ideas that have provided artistic license to a century’s worth of photographers to experiment boldly beyond the conventional definitions of what photography is expected to be. Edition: 1 of 1