Funkturm Berlin (Berlin Radio Tower)

Bauhaus Photography. In its brilliant simultaneous evocation of the geometric principles of contemporary abstract art and the contemporary urban and technological milieu, this photograph is arguably one of Moholy-Nagy's most exemplary works. It can be read with reference to the development of Straight Photography during the 1920s, but also as a work which pushes at the conceptual boundaries of Constructivist principles, readmitting content and theme into the geometric composition. The legacy of Hungarian artist Laszlo Moholy-Nagy is among the most cherished in the lineage of photographic art, and he can be defined as a visionary whose radical experiments with photography entirely re-imagined the possibilities for the medium. Working in the early 20th century when photography was not considered a form of high art, Moholy-Nagy actively sought to break down boundaries and find new languages of photographic discourse. In doing so, he left behind an oeuvre of visual ideas that have provided artistic license to a century’s worth of photographers to experiment boldly beyond the conventional definitions of what photography is expected to be. Edition: 1 of 1