ANDROID PLAZA - Vincent Portrait B
Android Plaza: Vincent extends Harman's ongoing exploration of postpainting, a practice that treats the digital image not as something to perfect, but as something to disrupt. Each work begins with the deliberate destabilisation of the image, pushing it into a state of fracture where information collapses, identities become unstable and representation starts to fail. From this point of rupture, Harman intervenes digitally, painting into the collapse rather than correcting it. The result is neither algorithmic output nor conventional painting, but a hybrid image shaped through tension, intuition and reconstruction.
Within this process, Vincent van Gogh becomes more than a historical figure. His portrait is drawn into the unstable visual language of the twenty-first century, where even one of history's most recognisable faces refuses to remain fixed. Suspended between appearance and disappearance, Android Plaza: Vincent is neither homage nor reproduction, but a postpainting portrait in which cultural memory itself is fragmented and rewritten. Van Gogh is not revived; he is transmitted through a contemporary condition of distortion, instability and continual transformation.
