this work draws from the recurring presence of military aircraft within civilian life in a country shaped by conflict, where extraordinary displays of force can become both normalized and awe inspiring. isolating the image of a fighter jet in motion, the piece transforms it into a fragmented signal shaped by distortion, speed, and instability. it reflects the coexistence of spectacle and routine, as powerful machines move through the background of daily life and become part of the atmosphere, whether fully seen or only heard or sensed. hebrew characters function as both glitch material and coded visual structure, partially obscuring the aircraft and collapsing image, language, and force into a single visual field.
